HOW MUCH TRAINING IS JUSTIFIABLE?


‘It’ll be all right on the night’ is the philosophy that a performance will be successful, overcoming problems earlier. Performers can be athletes, sports players, stage artistes, musicians, artists, writers or orators. The presence of an audience, other competitors or judges can possibly stimulate achievement surpassing what they had attained previously in training, practice or rehearsal. A performer who has a large home crowd on the edge of their seats usually does her best.

A performer can’t count on rising to the occasion. Having achieved a personal best in training is an advantage. Not all training is for fine tuning. Training can be done for preparation, technique development and refinement, physical testing, assessment, familiarisation, habituation to venue and climate, lowering of perceived effort, hypertrophy and to build self-confidence. Practice and rehearsal aim to anticipate performance and competition conditions. At an elite level, ‘It’ll be all right on the night’ is less acceptable and instead many performers follow long, intense training programmes.

In my novel ‘Time is Gold’ Maxi experiments with and learns to use Extreme Flow for an attempt on the world marathon record, coached by her physicist partner Jack and a team of experts in psychology, physiology, neuroscience and Zen. The story is futuristic and describes fine-tuning for top performance. Available on Amazon https://martinknox.com

About martinknox

Materially minimalist; gastronomically prefer food I cook; biologically an unattached male survivor; economically independent; sociologically a learner and teacher of science; psychologically selfaltruistic; anthropologically West Country English tenant farmer; religiously variable; ethically case by case; philosophically a sceptical Popperian.

Posted on December 25, 2020, in Extreme-flow, Time is Gold and tagged , , , , , , , . Bookmark the permalink. Comments Off on HOW MUCH TRAINING IS JUSTIFIABLE?.

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