DO PERFORMERS CREATE OR OBEY?
Megan is a champion pole vaulter who self-coaches using phenomenology to identify potential for improving her performances. She is held back by event organisers who want close finishes to sell tickets and media advertising. Athletes are constrained by regulations and industry hype to provide crowd-pleasing performances and camera shots with the appearance of fair competition. The sporting juggernaut rolls through a season with athletics, soccer, gymnastics, cricket, tennis, swimming, golf, cycling, rugby and horse racing. Only horse racing has handicapping to obtain closer finishes but other sports prevent innovations by athletes who are paid to entertain.
When an Australian national sporting body tries to prevent Megan using an effective new training technique, developed by her partner Chance, based on his PhD research, they are opposed by levellers who want all ability levels to be able to succeed in competitions. Megan is an individualist who is prevented from doing her best by collectivists who subscribe to a nanny state that is running amok. The ethos of affirmative action is spreading to education, employment and arts.
The restrictions on Megan become intolerable during an outbreak of Covid. Faced with mandatory vaccinations, they lead a campaign of non-violent civil disobedience. If they succeed, future society can be individual, like brush turkeys, who live independent lives. But if they fail, collective living could assign them to slave-like worker roles, like honey bees. Which human destiny do people want? What action can you take to mend society? Turkeys Not Bees is novel fiction by Martin Knox. Available on Amazon. Reviews at martinknox.com
Posted on July 18, 2023, in TURKEYS NOT BEES and tagged arts, Collectivism, Covid, Education, employment, Individualism, Mandatory restrictions, nanny state, Performance improvement, Phenomenology, self-coaching, The Spectacle. Bookmark the permalink. Comments Off on DO PERFORMERS CREATE OR OBEY?.